Tuesday, July 14, 2009
Dog Painting From my Live Presentation Last Night
Here is the painting I used for the demonstration. It is my dog, in one of her favorite sunny spots in the house.
Saturday, July 11, 2009
A Live Presentation on Soft Pastels at EBSQ!
I’ll be talking about the materials I use, then going through a painting from start to finish, step by step. I’m using my dog as a subject.
I’d love to see you there!
Wednesday, June 10, 2009
Summer Bounty
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Wednesday, June 3, 2009
Cherries
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Thursday, May 21, 2009
New York Street
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Wednesday, April 29, 2009
Springer Spaniel Portrait
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Friday, April 17, 2009
Diana’s Companion
People have been asking me lately about my process. Unfortunately, I don’t have an easy answer because I don't have a set approach to painting. I may do things differently based on subject, size, purpose of the painting, my mood, whatever. I decided to turn this Different Strokes challenge into a WIP, so those people who are interested could see one of my methods for tackling a painting.
Unless my painting has to be perfect, I prefer to skip measuring. It makes things tedious and takes the fun out of it. For this particular subject, I’m not concerned with perfection. Close is good enough, because no one will likely know if it isn’t perfect. Which means I’m not measuring (hooray!).
Step 1: I cut a 7” x 5” piece of suede matboard and tape it to a piece of cardboard. I then crop and print the reference photo to the same size, taping it next to the board. This will allow me to check size, values, and shapes, and is particularly useful to check accuracy when standing five or six feet back.
Next, I pick out pastels in a light, medium, and dark value. Not the lightest light, or darkest dark, of course – that’s like dessert for me, so I save it for later. I use the light pastel, making marks where the lights are in the ref photo, then do the same with the middle and then the dark values. Now I have a basic sketch.

Step 2: Obviously, I’m going to be using some pastel pencils with this piece. Her face is only ½” big. There’s no way I’ll get enough detail with these fat pastels. Using a gray pastel pencil, I define the figures.
Step 3: Going back with the pastels again, I work on the values.
Step 4: I alternate between pastel pencils and pastels, refining the drawing.

With the finished painting next to the ref photo, it’s very obvious where I’m off. But since no one is going to see the ref photo next to the painting in real life, I think it’s close enough.
Here is the finished piece again, larger. Lots of fun, and no tedious measuring. My favorite way to paint!.jpg)
Saturday, April 11, 2009
Hot Off The Easel

Monday, April 6, 2009
Recycled Idea
I could not have done this without my daughter. She posed for me, without complaint, whenever I needed her. It’s very convenient having a willing model in the house.

Twice Tapped
I’ve been given the “Passion for Painting” award by two of my online artist friends, James Parker and Edward Burton. I am supposed to list seven things that I love, and then pass the award on to seven other artists.
The seven things I love are:
- My family
- My friends
- Painting
- Sitting on my deck in the summer with wine and good friends, or a good book
- Being able to watch hummingbirds, bald eagles, the occasional deer, or even seals while I do the dishes or lounge on the deck
- The sound of my kids laughing
- The smell of the air in summer, when the sun heats up the pines
Here are seven very talented artists whose work I particularly enjoy:
Jennifer McChristian
Jason DeGraaf
Alvin Richard
Nathan Fowkes
Todd Ford
Justin Taylor
Edward B. Gordon
Wednesday, March 18, 2009
Sushi
I've decided I like eating sushi more than painting it. I really wanted sushi the whole time I was working on this. Although truthfully, I’m a wimpy sushi eater. California rolls are about as adventurous as I get, but I love them. My kids and I make them occasionally, and they are so addictive!
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First Place!
Monday, March 2, 2009
"Moored"
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Sunday, February 22, 2009
Painted Ladies
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Soft Pastel on Suede Matboard
Tuesday, February 10, 2009
Buddha
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Tuesday, January 27, 2009
Victorian Rooftop
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I had a tiny piece of La Carte paper (a sample that came in the box with my Sennelier pastels) which I decided to use for this piece. I cropped the photo reference to minimize the number of windows I would have to paint. I started out drawing with a pastel pencil, but quickly realized I was going to have to use a regular drawing pencil and a ruler if I were to achieve a decent level of accuracy. Once the tedious drawing was completed, the painting part was actually fun.
Sunday, January 25, 2009
Choir
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Tuesday, January 13, 2009
Jefferson Memorial
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Thursday, January 1, 2009
Brothers
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10”x8”
Soft Pastels on Suede Matboard
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