Recent Commissions

Here are a couple of recently finished commissions.  I was lucky to be working with some wonderful (and wonderfully patient!) people who wanted me to paint their dogs and grandchildren.  I was especially looking forward to painting the boys.  They are so adorable, and I love painting little hands and feet.  I'm super happy with the way these paintings turned out, but disappointed in my inability to get the colors to show up accurately in the pictures.  I hope you'll take my word for it that they look much better in person!

22" x 28"

Soft Pastel on Suede Matboard

18" x 24"

Soft Pastel on Suede Matboard

Artist's Magazine Finalist!

My painting "Dog Tired" was selected as a finalist in the Animal/Wildlife category of The Artist's Magazine's 28th Annual Art Competition.  My name is listed among the finalists in the December 2011 issue.

"Dog Tired"

14" x 24"

Soft Pastel on Suede Matboard
(SOLD)

You can view WIP pics of this painting here.

Mangos

A couple of days ago, my daughter said, "Why don't you paint while you're on pain pills?  Maybe you wouldn't paint something boring."  Ouch (I'm looking forward to the time when the brutal honesty of teenagers is replaced by a modicum of tact).  I don't want to talk about the reason for the pain pills, because then I'll go into a rant about Mohs surgery, and this is an art blog after all.  Suffice it to say, I hope I like my new nose better than the original.

Anyway, I decided to take my daughter's advice, and try to paint something loose and colorful (but also easy).  Unfortunately, the pain pills were somewhat unimpressive.  Not wanting to disappoint, I decided to see if I could push the color a bit more than I normally would.  I also decided not to obsess, as I normally would (the pain pills actually did help with this aspect).  This is the result of my day on drugs.  I sincerely hope it's not too boring. ;)

"Mangos"

14" x 11"

Soft Pastel on Suede Matboard

Latest in my Soft Pastel Dog Series

I wanted to paint something fun and easy after the Venice painting, so I decided to add to my dog series.  I definitely think the idea of painting the same subject repeatedly has merit.  Of course, I know my subject very well, but I feel like I'm improving in certain areas.  Or maybe that's just my imagination.  This one didn't take me very long, though, so at the very least I'm improving in speed.

"Nap Interrupted"

14" x 24"

Soft Pastel on Suede Matboard

Dog Painting in Soft Pastel With WIP Pics

I've had a computer in my studio now for a year, and I love being able to paint from it.  I used to print out a picture on photo paper, and paint from that.  It's so much better using the monitor!  I can enlarge the reference and see much more detail now, which makes my job a lot easier.  I can also use PhotoShop to help compose the image.

For instance, I can put my reference image in PhotoShop and "Posterize" it to show only a few values.  This can help me work through my initial drawing.  Here is the ref posterized:

First I pick a light tone and draw out the highlights:

Next I take a middle and darker tone and place those in the appropriate places:

Next, I use a pastel pencil to work out my drawing:

I add in the background, and continue to work out the drawing:

Still working out my drawing while filling in local color:

Now I'm starting to fill in detail:

Now I've worked out the values for the most part, and just need the foreground and finishing touches:

Finished:

"Dog Tired"

14"x24"

Soft Pastel on Suede Matboard

(SOLD)

(I took these pictures at different times of day, in different lighting, which is the reason for the varying colors.)

If you've seen the demo on my web site, you'll have noticed that this is the same method, with the exception of using the computer.  Isn't technology wonderful?

My Latest Commission and Happy New Year!

This last day of 2010, I’d like to thank all of you who have followed my blog and supported me and my work throughout the year.  I appreciate you more than you can possibly know.  

Since Christmas has passed, I can now share a painting which was commissioned for a Christmas gift.  This is a little Westie named Morgan.  He’s an old dog (14, if I remember correctly) and I had the opportunity to meet him once during the painting process.  I hope I was able to capture his sweet personality in his portrait.

White dogs are challenging to paint, particularly when they have long, wavy fur.  Despite this challenge, I really enjoyed painting Morgan.  I absolutely loved his over-the-shoulder pose.  I chose a square format, which I thought complimented the pose, and made it slightly larger than life to make it more contemporary.  I was very pleased with the results!

"Morgan"

15 x 15”

Soft Pastel on Suede Matboard
(SOLD)

I wish all of you good health, happiness, and prosperity in 2011!

Yellow Lab Portrait in Soft Pastel

I just finished this commissioned portrait of a yellow lab named Henry.  Water can be difficult to paint, and I've never painted a wet dog before, so this was a bit of a challenge.  Overall, though, I'm happy with the result.

16" x 20"

Soft Pastel on Suede Matboard

SOLD

An Experiment in Painting Loose

An artist friend (who would probably prefer to remain anonymous in this instance!) shared with me her secret of painting loose: wine.  She said drinking wine while she painted loosened her up.  “How much do I have to drink?” I asked (never let it be said that I’m not willing to make sacrifices for my art!).  I was intrigued by the idea and thought I’d make an experiment of it sometime.  

A couple of days ago I poured myself a glass of wine before dinner.  I hadn’t had a drink in so long, I was feeling quite tipsy.  Then I remembered the experiment, and thought it would be a perfect time to try it.  I quickly pulled up a picture from my files and started painting.  I took some pics along the way to document the experiment.

I started with a loose sketch.

Yep, one glass of wine and I can't even tell the picture isn't in focus.  What a lightweight.

Fleshing him out a bit, unfortunately still out of focus.

Apparently I was starting to sober up because he's back in focus.

Getting too sober, starting to lose my looseness.

Finished

10"x8"

Soft Pastel on Suede Matboard

I wouldn’t exactly call it a masterpiece, but it’s not particularly horrible either.  I think this experiment deserves further exploration.  Maybe I'll try it again when the weather warms up and I’m in the mood for margaritas.

Tribute to Karin Jurick

Karin Jurick

10" x 8"

Soft Pastel on Suede Matboard

Along with 117 other artists, I painted Karin Jurick’s portrait as a “thank you” for all her efforts with the Different Strokes From Different Folks blog.  The DSFDF blog has been an inspiration to many artists, and I’ve enjoyed the benefits of participating in the challenges.  In addition to stretching my skills by painting things I might not normally choose to paint, I’ve met many great people through the blog.  I have appreciated the time and effort Karin devotes to the blog, and I’m happy to be able to participate in this tribute to her.

Abstract in Soft Pastel

For quite a while now, I’ve been thinking it would be fun to paint an abstract of a city street at night. It has been so long since I’ve painted an abstract, and I’ve never done one in pastel, so I decided to start the new year off with something new and different. It was fun to paint, but it was also a challenge. I kept fighting my inclination to make it look like something more detailed.

Night Lights

6" x 6"

Soft Pastel on Suede Matboard

Fowl Play

I painted this for the “Ripped Off” show on EBSQ but didn’t get it finished in time, so now it’s in the “Better Late Than Never” show. The object is to pair up with another artist and rip off their work.

I paired up with Lauren Abrams, whose still life paintings are awesome. I particularly enjoy her toy paintings. She arranges the toys to create a story, then gives the paintings clever titles. After looking through her work, I took a few of her toys and created my own story.

"Fowl Play"

8" x 10"

Soft Pastel on Suede Matboard

Portrait of My Uncle

In the last two years, I've lost three people who were important to me. When I was a kid and first realized that we were all going to die some day, I felt gypped. And afraid. I didn't want to lose everyone I loved. I still don't. But that's part of life, isn't it? We will lose people we love until they lose us. I suppose the only positive aspect is that it teaches you to appreciate what you have while you have it. There was a line about life in a comic strip that has stuck with me: "It ain't nohow permanent."

I painted this portrait of my uncle, who passed away last year, as a gift for my aunt. He was a great man. I hope he knew we all thought so.

10" x 8"

Soft Pastel on Suede Matboard

Cupcakes and More Cupcakes

I didn’t get a chance to participate in the Different Strokes From Different Folks challenge for week 46-48 when everyone painted cupcakes. It looked like it would be a fun subject to paint, so when I had the time I took a crack at it.

“Cupcakes”
8” x 10”
Soft Pastel on Suede Matboard

I had so much fun painting them, but I really wanted to try the same subject on a different support. I heard about a new cupcake shop in Tacoma, so I drove over there looking for good references. I got them!

The shop is called “Sweet Things Cupcakes,” and is full of the most beautiful cupcakes I’ve ever seen. I didn’t get to try any of them because they weren’t gluten free, although the owner said they were planning on serving a gluten free cupcake eventually. The staff was very friendly and very kindly let me take some photos for references.

“Sweet Things”
9.5” x 12.5”
Soft Pastel on La Carte

If I could have eaten one, I’d have picked the Lemon Meringue (which I haven't painted yet). It looked fabulous! If you’re in the Proctor area of Tacoma, please stop by and try one so you can tell me all about it. I want to hear every yummy detail!

Dog Painting From my Live Presentation Last Night

I’d like to thank all of you who attended my EBSQ Live! Presentation last night. It was great to meet some new people, and overall a very fun experience. Here is the painting I used for the demonstration. It is my dog, in one of her favorite sunny spots in the house. If you missed the demo, you can see it on my web site here.

"Sunny Spot"

10” x 20”
Soft Pastel on Suede Matboard

Springer Spaniel Portrait

This is a portrait of a beautiful tri-color Springer Spaniel named Cassidy. I donated a pet portrait to English Springer Rescue America (ESRA) for a fundraising auction, and Cassidy's parents were the winning bidders.

10" x 8"

Soft Pastel on Suede Matboard

Diana’s Companion

7" x 5"

Soft Pastels on Suede Matboard

People have been asking me lately about my process. Unfortunately, I don’t have an easy answer because I don't have a set approach to painting. I may do things differently based on subject, size, purpose of the painting, my mood, whatever. I decided to turn this Different Strokes challenge into a WIP, so those people who are interested could see one of my methods for tackling a painting.

Unless my painting has to be perfect, I prefer to skip measuring. It makes things tedious and takes the fun out of it. For this particular subject, I’m not concerned with perfection. Close is good enough, because no one will likely know if it isn’t perfect. Which means I’m not measuring (hooray!).

Step 1: I cut a 7” x 5” piece of suede matboard and tape it to a piece of cardboard. I then crop and print the reference photo to the same size, taping it next to the board. This will allow me to check size, values, and shapes, and is particularly useful to check accuracy when standing five or six feet back.

Next, I pick out pastels in a light, medium, and dark value. Not the lightest light, or darkest dark, of course – that’s like dessert for me, so I save it for later. I use the light pastel, making marks where the lights are in the ref photo, then do the same with the middle and then the dark values. Now I have a basic sketch.

Step 2: Obviously, I’m going to be using some pastel pencils with this piece. Her face is only ½” big. There’s no way I’ll get enough detail with these fat pastels. Using a gray pastel pencil, I define the figures.



Step 3: Going back with the pastels again, I work on the values.



Step 4: I alternate between pastel pencils and pastels, refining the drawing.

With the finished painting next to the ref photo, it’s very obvious where I’m off. But since no one is going to see the ref photo next to the painting in real life, I think it’s close enough.
Here is the finished piece again, larger. Lots of fun, and no tedious measuring. My favorite way to paint!

Sushi

I took a quick break from the painting I’m working on to paint this for the Different Strokes From Different Folks blog. I debated doing several different things with it, but in the end left it pretty much as is.

I've decided I like eating sushi more than painting it. I really wanted sushi the whole time I was working on this. Although truthfully, I’m a wimpy sushi eater. California rolls are about as adventurous as I get, but I love them. My kids and I make them occasionally, and they are so addictive!

3.25" x 5.25"

Soft Pastels on Suede Matboard

"Moored"

This painting is part of a small works show at the Peninsula Library in Gig Harbor. I wanted to paint something with a bit of local flavor for this show, and this little dinghy seemed just right. It will be on display until March 30.

"Moored"

5" x 7"

Soft Pastels on Suede Matboard

Buzz and Baby

This is a Christmas present for a good friend of mine. Buzz is the sweetest dog you’d ever meet. He’s also my dog’s boyfriend (does she have good taste or what?). They are fun to watch together – she puts up with his kisses, and even shares her bones and toys with him, something she’s never done with any other dog. When the family took in two underage kittens, Buzz was their surrogate dad, allowing them to snuggle with him and even try to nurse. I've painted him with one of the babies as a Christmas gift to his mom. Isn’t he handsome?

8"x10"

Soft Pastels on Suede Matboard

Happy Holidays to you all!

Painting Different Folks

This is my portrait for the current Different Strokes From Different Folks challenge. We were paired anonymously with another artist and given their photo. Since no one was going to see the reference photos, we could free ourselves up and use unusual colors or not even worry about getting a good likeness. Sounded like wild and crazy fun to me.

I had just finished rereading “Harley Brown’s eternal truths for every artist” when I received my photo reference, so I grabbed a piece of suede matboard and smeared pastel over it to “show it who’s boss,” as Harley advised. I was really impressed with myself for a couple of seconds, but I had no idea what to do next (I thought I had learned something reading that book, but it’s so easy to get distracted by the pictures). So I decided to block in the shapes as usual, but do it colorfully with blues, greens, yellows and oranges. Am I wild and crazy or what? It didn’t last long, though.

Here’s what I learned about myself: I have to get a good likeness. I can’t not do it. It makes me crazy. I started layering on normal colors and turned it upside down to check my proportions. Pretty soon my portrait was looking like the original photo. Just to compensate for my boringness, I put some wild color into the background. Plus, I’m slightly off and I’m not even going to correct it. Yep, that’s me, living on the edge.

10”x8”
Soft Pastel on Suede Matboard

One thing that did stick with me from Harley's book was this: "You can't go looking for style."