Tuesday, April 19, 2011
Terry Ludwig Award!
You can see the show at the Haggin Museum in Stockton, CA from April 24 to June 19, 2011.
Friday, March 5, 2010
Sun Kissed
Friday, February 26, 2010
M&M Addiction
Saturday, February 13, 2010
Tribute to Karin Jurick
Wednesday, February 10, 2010
M&Ms II
Friday, February 5, 2010
M&Ms
I was in the mood for something fun and colorful, so I bought some M&Ms to paint a still life. I debated painting the candy dish in various crops, but finally decided it would be more fun to do a really close crop of just the candy.
When you aren’t used to eating a lot of sugar, M&Ms are unbelievably sweet! I was amazed at how quickly I went from being nauseous to addicted. I had so much fun painting this, but found it is difficult to paint candy without wanting to eat it. Now I need to paint something healthy to get over my sugar high.
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M&Ms
5” x 5”
Soft Pastel on La Carte
Saturday, January 9, 2010
Abstract in Soft Pastel
For quite a while now, I’ve been thinking it would be fun to paint an abstract of a city street at night. It has been so long since I’ve painted an abstract, and I’ve never done one in pastel, so I decided to start the new year off with something new and different. It was fun to paint, but it was also a challenge. I kept fighting my inclination to make it look like something more detailed.
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Wednesday, December 30, 2009
Fowl Play
Thursday, December 10, 2009
Still Life in Soft Pastel
9.5" x 12.5"
Soft Pastel on La Carte
Tuesday, December 8, 2009
Portrait of My Uncle
I painted this portrait of my uncle, who passed away last year, as a gift for my aunt. He was a great man. I hope he knew we all thought so.
Wednesday, November 18, 2009
The Traveler
I was able to squeeze in some time to paint the current Different Strokes From Different Folks challenge, though, so I can show you that. I had intended to paint all three figures from the reference photo, but given the time crunch I decided I should make the composition easier. All those lost edges were fun to paint, and fun and easy was just what I needed after that commission!
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Thursday, October 15, 2009
Cupcakes and More Cupcakes
I had so much fun painting them, but I really wanted to try the same subject on a different support. I heard about a new cupcake shop in Tacoma, so I drove over there looking for good references. I got them!
The shop is called “Sweet Things Cupcakes,” and is full of the most beautiful cupcakes I’ve ever seen. I didn’t get to try any of them because they weren’t gluten free, although the owner said they were planning on serving a gluten free cupcake eventually. The staff was very friendly and very kindly let me take some photos for references.
Saturday, October 10, 2009
BEST IN SHOW!!

My dog got a huge, well-deserved helping of turkey when I got home last night!
Friday, August 28, 2009
Pastel Dog Portrait
Tuesday, July 14, 2009
Dog Painting From my Live Presentation Last Night

Wednesday, June 10, 2009
Summer Bounty
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Wednesday, June 3, 2009
Cherries
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Wednesday, April 29, 2009
Springer Spaniel Portrait
Friday, April 17, 2009
Diana’s Companion
People have been asking me lately about my process. Unfortunately, I don’t have an easy answer because I don't have a set approach to painting. I may do things differently based on subject, size, purpose of the painting, my mood, whatever. I decided to turn this Different Strokes challenge into a WIP, so those people who are interested could see one of my methods for tackling a painting.
Unless my painting has to be perfect, I prefer to skip measuring. It makes things tedious and takes the fun out of it. For this particular subject, I’m not concerned with perfection. Close is good enough, because no one will likely know if it isn’t perfect. Which means I’m not measuring (hooray!).
Step 1: I cut a 7” x 5” piece of suede matboard and tape it to a piece of cardboard. I then crop and print the reference photo to the same size, taping it next to the board. This will allow me to check size, values, and shapes, and is particularly useful to check accuracy when standing five or six feet back.
Next, I pick out pastels in a light, medium, and dark value. Not the lightest light, or darkest dark, of course – that’s like dessert for me, so I save it for later. I use the light pastel, making marks where the lights are in the ref photo, then do the same with the middle and then the dark values. Now I have a basic sketch.

Step 2: Obviously, I’m going to be using some pastel pencils with this piece. Her face is only ½” big. There’s no way I’ll get enough detail with these fat pastels. Using a gray pastel pencil, I define the figures.

Step 3: Going back with the pastels again, I work on the values.

Step 4: I alternate between pastel pencils and pastels, refining the drawing.

With the finished painting next to the ref photo, it’s very obvious where I’m off. But since no one is going to see the ref photo next to the painting in real life, I think it’s close enough.
Here is the finished piece again, larger. Lots of fun, and no tedious measuring. My favorite way to paint!
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