New Oil Painting

I  recently started playing with oils again.  The idea for this painting just popped into my head.  I don't know why, but some people think it really happened.   My daughter was my willing model for this painting, and she wasn't actually stood up.  It's just something I made up for fun.

"Stood Up"

36" x 48"

Oil on Canvas

Figurative Painting in Soft Pastel

This is something I started last month.  It's one of those paintings that requires thousands of decisions (well, they all do, but this one seemed to require more than usual).  Before I start painting something this labor intensive, I work out the major decisions in Photoshop; move things around, take things out, change colors, etc.  As I painted this, I found myself wishing I'd considered a few more options.  I'll have to try out those ideas on another painting, though, because I'm ready to call this one finished.

"Takeout"

24" x 18"

Soft Pastel on Pastelmat

Pastels USA Award

I had two paintings accepted into Pastels USA, the 24th annual international open exhibition for the Pastel Society of the West Coast.  The exhibit is being held at the Art Museum of Los Gatos from June 3 to July 9, 2010, and was juried by Richard McKinley.

I found out this morning that my painting "Old Friend" received the Colorfin LCC award!

"Old Friend"

12" x 19.5"

Soft Pastel on Pastelmat

See more of my work:

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Yellow Lab Portrait in Soft Pastel

I just finished this commissioned portrait of a yellow lab named Henry.  Water can be difficult to paint, and I've never painted a wet dog before, so this was a bit of a challenge.  Overall, though, I'm happy with the result.

16" x 20"

Soft Pastel on Suede Matboard

SOLD

Northwest Pastel Society Members' Exhibition Results

It was so fun to see the NPS exhibition in person!  My daughter and I were staying at a hotel in Burlington (we were having a girls weekend, shopping at all the outlets north of Seattle) and made the half hour drive up to the Blue Horse Gallery for the reception.  It's such a beautiful area up there, it's totally worth a visit.  Anyway, the reception was great.  The gallery is large, and all the art looked wonderful on the walls.  I went assuming I didn't win an award because I hadn't been notified ahead of time, but when I arrived I found out they had decided to let it be a surprise this time.  My painting "Sun Kissed" won second place in the miniatures category.  If you'd like to see the show online and check out the winning pieces, go here and here (the entries are divided alphabetically).

Northwest Pastel Society Exhibit at the Blue Horse Gallery, April 23 - May 28, 2010

All three of the paintings I submitted (Sweet, Addiction, and Sun Kissed) were accepted into the Northwest Pastel Society’s Members’ Exhibition.  The Artists’ Reception is tomorrow night, April 23, from 6:00 pm to 9:00 pm at the Blue Horse Gallery in Bellingham, WA.  I will be at the reception and would like to invite everyone close enough to attend.  Check out the Blue Horse Gallery’s web site for address and directions.  Hope to see you there!

An Experiment in Painting Loose

An artist friend (who would probably prefer to remain anonymous in this instance!) shared with me her secret of painting loose: wine.  She said drinking wine while she painted loosened her up.  “How much do I have to drink?” I asked (never let it be said that I’m not willing to make sacrifices for my art!).  I was intrigued by the idea and thought I’d make an experiment of it sometime.  

A couple of days ago I poured myself a glass of wine before dinner.  I hadn’t had a drink in so long, I was feeling quite tipsy.  Then I remembered the experiment, and thought it would be a perfect time to try it.  I quickly pulled up a picture from my files and started painting.  I took some pics along the way to document the experiment.

I started with a loose sketch.

Yep, one glass of wine and I can't even tell the picture isn't in focus.  What a lightweight.

Fleshing him out a bit, unfortunately still out of focus.

Apparently I was starting to sober up because he's back in focus.

Getting too sober, starting to lose my looseness.

Finished

10"x8"

Soft Pastel on Suede Matboard

I wouldn’t exactly call it a masterpiece, but it’s not particularly horrible either.  I think this experiment deserves further exploration.  Maybe I'll try it again when the weather warms up and I’m in the mood for margaritas.

Guitar Player

I've been working fairly small for quite a while, so I decided to paint something big.  I totally enjoyed painting this one.

"Acoustic"

27.5" x 19.5"

Soft Pastel on Pastelmat

Pencil Sharpeners for Pastel Pencils

When I first started working in pastel, I ruined a couple of electric sharpeners.  The pastel would break off and get stuck, and I either couldn’t access the blades to dig it out, or I couldn’t get it out completely.  I searched for a pencil sharpener that would work well and settled on the Creative Mark MultiPoint.  After a year and a half, though, the blades are dull and don’t work well.  Obviously, I needed a new sharpener.  I was planning on ordering another MultiPoint, but then I saw Roby Baer’s videos on YouTube (if you haven’t seen them, check them out!).  She had such a nice point on her pastel pencils, I had to ask her about her sharpener.  She uses the X-Acto Powerhouse.  I bought one yesterday, and thought I’d share the pros and cons of each sharpener for those who are interested.

First, the MultiPoint:  I bought this sharpener at Jerry’s Artarama for around $25.

Pros:  

1. It accepts pencils of different sizes and shapes
2. It gives a decently sharp result
3. If a pastel breaks off, you can open the shavings receptacle and poke it out with something sharp (I use an unbent paper clip)
4. It is fairly rare that a pencil would break off 

Cons:

1. The clamp is annoying.  I couldn’t get it to stay on anything.  I usually put the sharpener on my knee to use it.  
2. Their claim of “one hand operation” is, IMO, a joke.  The automatic feeding clutch does work (most of the time), but since the clamp doesn’t, one hand has to hold the sharpener in place.
3. The pencil clutch chews up the outside of the pencil, which may or may not bother you
4. It stops sharpening automatically, they say to avoid waste, but you can't get a sharper result than it is programmed to give
5. No warranty - plan on replacing it every year, sooner if you're a heavy user

Next, the X-Acto Powerhouse:  Purchased from Office Max for $33.

Pros:

1.   It gives amazingly sharp results  
2.   It has suction feet that make it stay put very nicely on my desk
3.   It comes with a 2 year warranty

Cons:

1.   It doesn’t accept different sizes of pencils
2.   Nothing else, but I’ve only had it a day

I have full sets of CarbOthellos and Derwents, plus a few pencils of different brands I bought just to try (you never know when you might want to get another set, right?).

1. CarbOthellos fit very nicely
2. Derwents are very snug, but they’ll go in with some pressure (and it takes pressure to get them out as well)
3. Pitts go in slightly easier than Derwents, but not as easy as CarbOthellos
4. Creatacolors go in very easily
5. General’s go in very easily
6. Contes will not go in at all

I’m excited about the sharp tip the X-Acto Powerhouse delivers, and the warranty is attractive.  I may buy another MultiPoint for backup, and for the Conte pencils if I buy a set (I really like those pencils!).


Update:  After using the X-Acto Powerhouse for a while, I'm back to the MultiPoint.  The Powerhouse worked well for a bit, but soon pencils were breaking off, and it is difficult to get the pastel tips out when they break in the sharpener.  I tried pulling out the shavings receptacle, but there is no way to poke out the pastel.  I had to use something very thin and sharp (I use a stainless steel BBQ skewer - I asked Roby and she uses an awl) and poke it directly into where the pencil feeds, stabbing the stuck pastel to break it up.  It got to where every pencil was breaking every time, and I just got tired of it.  It's not worth the hassle.  I bought myself another MultiPoint (actually, I bought two because Jerry's had them on sale) and almost cried with relief when I started using the new one.  I was able to get a sharper point on the new MultiPoint sharpener than I did with the last one, easily equal to the Powerhouse.  With nice, sharp points and very little hassle, the MultiPoint remains the best sharpener for me.  


See my review of The Classroom Friendly Pencil Sharpener.

Black Cat Portrait in Pastel

Here's a quick one I painted as a gift for my daughter.  This is her baby, Snickers.

"Snickers"

4.5" x 4.5"

Soft Pastel on La Carte

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Sushi Chef - Painting on Pastelmat with WIP pics

Here is my second painting on Pastelmat.  It's still trial and error for me at this point, but I'm getting used to the paper, and I like it very much.

Sushi Chef

19.5" x 15.5"

Soft Pastel on Pastelmat

People keep asking me for WIPs, so I tried to remember to take some pictures along the way so I could show you my process.


First, I started out with a grid.  I laugh at myself when I try to grid, because I can never get the grid even, or to accurately match the reference photo grid.  And even if I had everything accurate, I don't have the patience to copy the boxes exactly.  So for me, a grid is more of a tool I use for the initial placement of the image, and then I draw the picture from the computer monitor.  I also correct and redraw as necessary when I'm painting.


For the grid, I took a few drawing pencils and made small marks on the paper.  Then I erased the marks with a kneaded eraser.  I used the pencil that erased the best.  I drew the painting with a pastel pencil, and lost parts of my drawing when the pastel pencil rubbed off, so next time I'm just going to use the drawing pencil. 


A note about pastel removal:  A kneaded eraser pulls up pastel very nicely on this paper, particularly if you're not trying to pull up a lot.  I found Q-tips effective when I wanted to remove a lot of pastel (meaning many layers).  A soft paintbrush is also effective.  I actually tried the vacuum, and was surprised at how ineffective it was (and my vacuum has a lot of suction!).


Here is my initial drawing:

I started painting the hat and face first.

Then the hair and shirt.

Then I finished the shirt and started the background.

Next I have a gap in the photos (sorry).  When I got to the hands, I realized you might like to see how I paint skin (I used the same method for the face, just didn't get pics of it), and thought to get a photo.  First, I redrew the hands with a pastel pencil (the drawing had faded by the time I was ready to paint the hands).  Next, I painted the local color of the skin, using probably six different pastel colors. 

Next, I blended that, then applied more pastel in the same manner, then blended again.  After that, I touched up with pastels and pastel pencils to define the hands a bit better (sorry, I got so into my painting I forgot to take pics!).

  

After that, I made corrections, removed things that weren't necessary, etc.  Here's the finished painting once again.

I am really getting to like the Pastelmat.  I like the fact that it is so soft, but I can get a nice sharp line on it.  It takes a lot of pastel, though not nearly as much as suede matboard.  This paper will probably replace La Carte for me.  I get similar results, but a bit better coverage, and blending is much easier on the fingertips.  As far as dust goes, I'd say I get less dust than La Carte, but much more than suede matboard.  I would use this paper for anything I would normally use La Carte for, and probably suede matboard and velour paper as well, with the exception of animals.  Once I get used to the paper, I may try fur again and reevaluate.


I hope this was interesting for you, despite the gaps in my photos!

My Painting in The Pastel Journal Magazine

My Painting “Sunny Spot” won an honorable mention in the Pastel 100.  A picture of the painting is in the April 2010 edition of The Pastel Journal magazine.

The Pastel 100 is an annual competition where jurors pick the top 100 paintings.  The paintings are chosen from five categories: landscape/interior, still life/floral, abstract/non-objective, portrait/figure, and animal/wildlife.  There are thousands of entries every year, and I couldn’t be happier that my painting was chosen as one of the top 100.

Painting on Pastelmat

This is my first attempt painting on a new paper called Pastelmat.  Since I often paint animals, I thought I’d first test how suitable the paper is for fur.  I used my dog as the subject.  My usual method of painting fur didn’t work on this paper, so unless I figure out a way to get the results I want, I won’t be using this paper for animals in the future.  I can see great possibilities with other subjects, though.

"Old Friend"
12” x 19.5”

Soft Pastel on Pastelmat

Pastelmat is an amazing surface.  It is so smooth, you wouldn’t expect it to grab onto the pastel, but that’s exactly what it does.  I’m looking forward to experimenting with different subjects and discovering what I can do with it.

Sun Kissed

I hate to waste good paper, so I painted this little picture of my daughter enjoying the sunlight to use up a small scrap piece of La Carte.  As you can see, I didn't do a whole lot of blending on this one.  Just quick and fun.

Sun Kissed

3.5" x 4.25"

Soft Pastel on La Carte

M&M Addiction

I can't help it, I'm addicted.  These are so fun to paint, I just had to try them larger.  But this will be the last one.  Probably.  Maybe.  Well, for right now, anyway.

9.5" x 12.5"

Soft Pastel on La Carte

Sunshine Award

I was recently given the Sunshine Award by three wonderful artists:  Gwen Bell, Pat Burns, and Faith Te.

The rules for this award are:

1.  Put the logo on your blog or within your post
2.  Pass the award on to 12 bloggers
3.  Link the nominees within your post
4.  Let the nominees know they have received this award
5.  Link to the person from whom you received this award


I'm passing the award off to these artists, whose work I admire:

Amanda Carder - I always enjoy her blog updates, her work is fabulous!

Aimee Dingman - An acrylic artist (love those Tootsie Pops!)

Todd Ford - I love looking at his unique still life paintings.  Amazing talent!

Edward Gordon - An extremely prolific artist.  I look forward to reading his blog every day.  I like everything he does, but I particularly enjoy his figurative work.

Marti Green - So talented with watercolor, and now venturing into acrylic.

Vicky Knowles - Vicky's work is just plain fun.

Pat Meras - Soft pastel paintings that will knock your socks off!

Sophie Ploeg - Portrait and figurative work in oil.  Check out my personal favorite "Checks and Sand."  Love it!

Pierre Raby - I just love everything he does.  I could look at his work for hours.  He has two blogs, so make sure to visit both.

Alvin Richard - I love still life paintings that look uncontrived, and Alvin is a master at it.

Colette Thierault - Excellent animal artist.

This last blog is all about soft pastel artists, a review of their web sites.  I enjoy scrolling through it and looking at all the great pastel art.  Check out Artists in Pastel.

Special thanks to Gwen, Pat, and Faith for thinking of me!

Tribute to Karin Jurick

Karin Jurick

10" x 8"

Soft Pastel on Suede Matboard

Along with 117 other artists, I painted Karin Jurick’s portrait as a “thank you” for all her efforts with the Different Strokes From Different Folks blog.  The DSFDF blog has been an inspiration to many artists, and I’ve enjoyed the benefits of participating in the challenges.  In addition to stretching my skills by painting things I might not normally choose to paint, I’ve met many great people through the blog.  I have appreciated the time and effort Karin devotes to the blog, and I’m happy to be able to participate in this tribute to her.

M&Ms II

M&Ms are just as addictive to paint as they are to eat. It's just too fun. I had to do it again.

5" x 5"

Soft Pastel on La Carte

M&Ms

I was in the mood for something fun and colorful, so I bought some M&Ms to paint a still life. I debated painting the candy dish in various crops, but finally decided it would be more fun to do a really close crop of just the candy.

When you aren’t used to eating a lot of sugar, M&Ms are unbelievably sweet! I was amazed at how quickly I went from being nauseous to addicted. I had so much fun painting this, but found it is difficult to paint candy without wanting to eat it. Now I need to paint something healthy to get over my sugar high.

M&Ms

5” x 5”

Soft Pastel on La Carte

Abstract in Soft Pastel

For quite a while now, I’ve been thinking it would be fun to paint an abstract of a city street at night. It has been so long since I’ve painted an abstract, and I’ve never done one in pastel, so I decided to start the new year off with something new and different. It was fun to paint, but it was also a challenge. I kept fighting my inclination to make it look like something more detailed.

Night Lights

6" x 6"

Soft Pastel on Suede Matboard